The author tries to do al of these things at the same time, ending up in a creative stalemate. One may want to hint to a given event, or to tell a story it is possible to claim that what one is saying is real, or just a theory. It is through a stylistic analysis of how tenses are used that the reader can detect the inconsistencies of the author with respect to the different literary devices available to him. The author, who is clearly motivated in his writing, assigns roles and determines plots, yet he pretends he is nothing more than an impartial observer.

power words have to create an ambiguous reality half-way between drama and historical narration. Yet the actual organization of the work goes beyond the mere tale structure, and puts to test the. The Quinze Joies (the word joy has here a satirical undertone, as the approach to women is clearly negative) are arranged in what would appear to be a set of fifteen tales. This article provides an interpretation of the Quinze Joies de Mariage, a prose written by a XV-century anonymous French author. The research can contribute to bilingual corpora of parallel texts, as well as to textbooks on comparative lexicology. In some cases, translators might have ignored the original meaning or could have been misled by the overall peculiarities of the narrative. In early translations, they might be explained by the translator’s choice of obsolete words with an archaic effect or adding extra semantic and stylistic information. They could have resulted from the lack of Russian equivalents. These flaws may change the initial narrator-character or character-narrator point of view. Therefore, lexical isomorphism was not always preserved in translation: in some cases, the evaluation was neutralized, or even opposed to the original one, and Russian variants acquired extra semantic and stylistic meanings.

Unlike bonhomme, pauvre has more Russian equivalents. The multiple translations often preserved the original evaluation, especially in case of pauvre. The study was based on mono- and bilingual Russian and French dictionaries. They were selected according to the continuous sampling method and then analyzed using the comparative method. Flaubert’s novel Madame Bovary and its nine Russian translations. The research objective was to analyze Russian equivalents of adjective pauvre and substantive bonhomme, which contain subjective evaluation in character’s nomination.

The paper focuses on zero focalization and evaluation of personages. The present research featured some narrative peculiarities, which could belong both to the narrator or other characters and violate the initial focalization.

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